Japanese Art and Culture 2009
There was a Japanese theme for the Area Education programme
in Spring 2009. In the first Study day on ‘Staging
the Orient’, Sarah Lenton presented an overview of
Japanese theatre and opera, showing how the Orient is represented
on the European stage with specific reference to Madame
Butterfly and The Mikado.
In May, Suzanne Perrin’s lectures on ‘Japanese
Art and Culture’ covered Japanese living traditions
including religion ,crafts and festivals with a detailed
look at Japanese costume and textiles from the 10th century
to the present day.
At the end of May, a group of members from Societies within
the Area travelled to Japan to begin their tour in Tokyo.
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Originally known as Edo – meaning ‘the
Gate of the River’, Tokyo first became a significant
town in the early 17c, when Tokugawa Ieyasu established
his shogunate (military government) here. Within a short
time the whole of Japan was governed from Tokyo, and by
the end of the 18c Tokyo was probably the largest city
in the world. It was formally established as the Japanese
capital in 1868, when the Emperor moved there from Kyoto.
Tokyo is now one of the world’s most modern cities
with a population of about 13 million but among the high-rise
office blocks, huge department stores and busy streets there
are still gardens, Buddhist temples and the occasional old
wooden house from another era. Our tour started with a visit
to the Tokyo Tower. Japan’s equivalent of the Eiffel
Tower - 330 metres high with two observation platforms, 150
and 250 metres high, where we could look out at the skyline
of Tokyo.
We then continued to Harajuku, an area of fashionable
boutiques and bistros in Central Tokyo and strolled through
Ginza. The district of Ginza was laid out in the 1870s
and was one of the first places in Japan to have Western-style
brick buildings and street lighting. It is well known for
its shops, art galleries - and the Sony Building. We spent
some time in the Akihabara district, also known as ‘Electric
City’ an amazing place apparently devoted to every
computerised and electronic gadget invented.
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The afternoon was free to
explore on our own - adventuring onto the Yamanote Line
the urban railway which winds around Tokyo in a 35-kilometre
loop. The locals were unbelievably good natured helping
us to negotiate the ticketing system and ushering us onto
the train like honoured guests.
The next day’s visit was to the sacred Buddhist
town of Nikko and the Tosho-gu shrine, one of the most
famous centres of pilgrimage in Japan. The shrine was built
by Tokugawa Iemitsu as a memorial to his grandfather, Tokugawa
Ieyasu, a warlord who united Japan in the 17c and established
the shogunate that ruled the country for 250 years. Entered
via a huge stone gateway, the shrine has a five-storey
pagoda and three sacred storehouses, one of which has notable
carvings of elephants. A sacred stable houses a carved
white horse and reliefs depicting the life cycle of the
monkey. These include the famous ‘Hear no evil, see
no evil, speak no evil’ threesome.
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In the afternoon we stopped
at the Chuzenji-ko Lake and the waterfalls at Kegon-no-taki.
Here we watched the water plunging 97 metres into Lake,
taking the elevator down to a viewing platform, where we
could see the full force of the water.
Early morning departure from Tokyo and we drove on to
Yokohama - a vibrant metropolis in its own right, with
a population of 3.5 million. A feature of Yokohama is the
fascinating Chinatown district, with its tiny streets and
decorative facades, famous for its restaurants, brightly-coloured
Chinese gates and for the Kantei-byo Chinese temple.
After Yokohama, we visited Sankei-en Garden, a fine example
of traditional Japanese landscape gardening around a 500-year
old wooden pagoda. The garden was laid out by a silk merchant
in 1906, and is in reality two gardens, an inner garden
and an outer park. Sadly the weather was less than kind
and we did not see the garden at its beautiful best but
were able to admire the design and enjoy the bonsai display
by the local gardening enthusiasts.
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We continued south-west to
the Hakone region, dominated (we were told) by the perfect
conical peak of Mount Fuji, 3,776 metres high. We
stopped at Lake Ashi to board our boat to cross the crater
lake, passing the red gateway of the Hakone-jinja shrine
and the Hakone Sekisho-ato, formerly a customs post operated
by the Tokugawa shogunate – disappointingly, owing
to the pervading low cloud, we couldn’t see Mount
Fuji.
After crossing Lake Ashi, we set off for the Owakudani
Valley, the most popular thermal resort in Japan where
our hotel stood at a height of about 1,000 metres on the
slopes of Mount Komagatake, near the small town of Kowakien.
Following lessons on how to wear the kimono provided, we
were off to the hotel’s natural hot spring baths
(separated for men and women). The hot pools are fed by
a natural sulphurous spring at a constant temperature of
40°C and we were able to sit in the hot water at the
edges of the pool, whilst feeling the raindrops from the
garden on our heads.
Next day we travelled north from Hakone, passing the still-elusive
Mount Fuji and on to Matsumoto.
Matsumoto has been an important town since the 8c, and
is famous for its castle. Formerly the home of the Ogasawara
clan, the castle dates from the late 16c. It is one of
the best-preserved castles in the country, and is officially
regarded as a ‘National Treasure’. The keep
contains kato-mado (bud-shaped windows), a form of Buddhist
architecture first introduced from China to Japan in the
13c. Rising in contrasting levels of black and white, with
ornate gables, it is very different from a British mediaeval
castle.
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From Matsumoto we crossed
the Japanese Alps to Takayama. The journey gave us a good
insight into life in rural Japan, with farmers at work
in fields and tea plantations. What sets Takayama apart
from most large Japanese cities is that it has retained
many of its original wooden houses and has few modern high-rise
buildings. The town was founded in the late 16c and its
streets are arranged in a regular grid pattern.
The next morning in Takayama started with a visit to Gokayama
Washi-no-Sato, the Japanese Paper Village. We saw an exhibition
of examples of Japanese handmade paper art and were able
to try making our own.
We continued via the Shokawa Valley to visit the Shirakawago
Gassho village with its traditional timber-framed, thatched
farmhouses that were once typical of this region. The Gassho-zukuri, "prayer-hands
construction" style is characterized by a thatched
and steeply slanting roof resembling two hands joined in
prayer. Although made from wood, without a single nail
used in the construction, the design is exceptionally strong
and, in combination with the unique properties of the thatching,
allows the houses to withstand and shed the weight of the
region's heavy winter snowfalls. In the largest private
Gassho-style house in the Area, we were entertained with
tea made on the open fire and listened to a demonstration
of traditional Japanese musical instruments. Some of us
were encouraged to try out the instruments but without
the expertise of the owner.
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A highlight of a visit to
Takayama is the Festival Floats Exhibition Hall, housing
some of the magnificent decorated yatai or floats which
are paraded through the streets in the Takayama Festival;
some date back to the 17c. In the next gallery are beautifully
crafted detailed scale models of the famous shrines at
Nikko.
Our tour of Takayama concluded with a visit to the Jinya,
built in 1615 and formerly the local government office. It
is a fine example of the traditional architecture of the
period and one room contained graphic descriptions of the
punishments which could befall miscreants.
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Finally to Kyoto, which was
home to Japan’s emperors from 794AD to 1868, and
has no fewer than 17 UNESCO World Heritage sites.
Our stay in Kyoto began with a visit to Kinkakuji Temple,
better known as the Golden Pavilion. First built in 1397,
following an arson attack in 1955 this beautiful building
was rebuilt to its original design with the two upper floors
covered with gold leaf.
We then continued to Ryoanji - a temple famous for its
rock garden, perhaps the best ‘dry’ Japanese
garden and a masterpiece by the Zen-inspired artist Soami
(1455-1525). The flat, rectangular garden is covered with
white earth and surrounded by earthen walls. A total of
15 rocks stand in three groups; it was created for meditation
and there are no flowering plants.
After visiting Ryoanji, we wandered through Nishiki Market,
with its mouthwatering displays of food, before driving
to the Nishijin Textile Centre, a living museum that tells
the story of Kyoto’s textile industry. Kyoto's silk
weaving was adapted from Chinese techniques and received
backing from the Imperial court in the early days, but
this support was interrupted during the 15c civil wars.
The industry was revived during the Edo period, and Dutch
and French methods and machinery were introduced during
the Meiji period. Nowadays fabrics such as crèpe,
satin, gauze, brocade and damask are still produced by
traditional methods and, after having a try at stencilling
our own handkerchiefs, we were able to see experts at work
and how a Japanese kimono is made – many are the
most wonderful works of art.
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On the day set aside for our
own exploration, some travelled on the bullet train to
Hiroshima.
Some wandered along the Philosophers’ Walk so called
as a Philosophy professor, Nishida Kitaro is said to have
used it for daily meditation – the walk passes several
temples and shrines along the way (and little cake shops).
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A short coach journey on our
final day took us west from Kyoto to the city of Nara,
second only to Kyoto in terms of its cultural heritage.
Nara was established in 710 AD as the first permanent
capital city in Japan; prior to this, the capital had moved
with the death of each emperor. It served as capital for
only 84 years, but remains a major religious centre. First
stop in Nara was at the Todaiji Temple, believed to be
the largest wooden building in the world. Outside the temple
there is a vast deer park, inhabited by Nara’s sacred
deer, of which there are about 1,200; in pre-Buddhist times,
they were considered messengers of the gods. The temple
is approached through an ornamental gate flanked by two
beautiful 13c statues of Nio guardians and inside the main
hall is a huge gilded bronze statue of the Buddha Vairocana.
One of the supporting posts in the Hall has a hole said
to be the same size as one of the Daibutsu’s nostrils.
Legend has it that those who pass through will be blessed
with enlightenment in their next life. We had great fun
watching the local schoolchildren try to assure their future – often
with much help from their teachers and friends.
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We then continued to the Shinto
Kasuga Shrine, famous for its huge number of stone and
metal lanterns donated by pilgrims. Some were tempted to
buy ‘fortunes’ – a great idea, you tear
off any predictions you don’t like and leave them
behind tied to the shrine.
Our next visit was to the Gekkeikan Okura Museum, an old
sake brewery where we were shown how Japanese sake (rice
wine with a 17% alcohol content) is made and were able
to taste sake from traditional ceramic sake cups.
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Afterwards, a complete change
of mood as we visited a very formal municipal tea-house,
Taihoan, where we were invited to have cake and taste Uji
green tea in the serene tea-ceremony.
On the final evening, our farewell dinner included entertainment
by a maiko (apprentice geisha) and geiko, dancing, singing
and serving drinks. The refined and graceful geisha wear
traditional kimonos and obi and are skilled in a range
of visual and performing arts, including dancing, singing
and playing the shamisen – a three-stringed instrument.
It is estimated that there are now only about 100 geisha
and 80 maiko in Kyoto.
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We all made the most of our
final morning before the flight home from Osaka’s
Kansai airport. Some took the opportunity for some last-minute
shopping – there was still the Higashi Hongan-ji
temple just along from the hotel and the Nijo Castle with
its stunning wall paintings and famous Nightingale floor
or uguisubari. These floors were designed so that the flooring
nails rubbed against a clamp causing chirping noises – used
as an alarm system to warn of intruders.
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We were sad to say our farewells
to Japan – the tour had lived up to and beyond our
expectations. We felt we now understood so much more about
Japanese art and culture and came home with many wonderful
memories.
June Robinson |
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